Theses on Cultural Revolution (Debord)

There are several conflicting opinions about the forms and even the very nature ofeducative propaganda, opinions that generally reflect one or another currently fashionablevariety of reformist politics. Suffice it to say that in our view the premises forrevolution, on the cultural as well as the strictly political level, are not only ripe,they have begun to rot. It is not just returning to the past which is reactionary; even“modern” cultural objectives are ultimately reactionary since they depend onideological formulations of a past society that has prolonged its death agony to thepresent. The only historically justified tactic is extremist innovation.

"Theses on the Cultural Revolution," by Guy Debord

"Theses on the Cultural Revolution," by Guy Debord (I.S

thesis on cultural revolution debord – The Other Side

Debord's aim and proposal, is "to wake up the spectator who has been drugged by spectacular images," "through radical action in the form of the construction of situations," "situations that bring a revolutionary reordering of life, politics, and art". In the situationist view, situations are actively created moments characterized by "a sense of self-consciousness of existence within a particular environment or ambience".

Thesis On Cultural Revolution Debord

The Society of the Spectacle is a critique of contemporary consumer culture and . Before the term ‘globalization’ was popularized, Debord was arguing about issues such as class alienation, cultural homogenization, and the mass media.

Theses on the Cultural Revolution Author(s): Guy Debord Reviewed work(s): Source: October, Vol

cultural homogenization, and ..

In his analysis of the spectacular society, Debord notes that quality of life is impoverished, with such lack of authenticity, are affected, and there's also a degradation of knowledge, with the hindering of . Debord analyzes the use of knowledge to assuage reality: the spectacle obfuscates the past, imploding it with the future into an undifferentiated mass, a type of never ending present; in this way the spectacle prevents individuals from realizing that the society of spectacle is only a moment in history (time), one that can be overturned through revolution.

a few months only after Althusser’s essay “On the Cultural Revolution”

Guy debord thesis on cultural revolution

In the world of cultural decomposition we can test our strength but never use it. The practical task of overcoming our discordance with this world, that is, of surmounting its decomposition by some more advanced constructions, is not romantic. We will be “revolutionary romantics,” in Lefebvre’s sense, precisely to the degree that we fail.

15/05/2013 · A revolution in the cultural sphere would run the ..

Essay questions on the cultural revolution Mitosis essay free

Other observations Debord makes on religion: "The remains of religion and of the (the principal relic of the heritage of class power) and the moral repression they assure, merge whenever the enjoyment of this world is affirmed–this world being nothing other than repressive pseudo-enjoyment." "The were a compromise between and history, ... These religions arose on the soil of history, and established themselves there. But there they still preserve themselves in radical opposition to history." Debord defines them as Semi-historical religion. "The growth of knowledge about society, which includes the understanding of history as the heart of culture, derives from itself an irreversible knowledge, which is expressed by the destruction of God."

15/05/2013 · A revolution in the cultural sphere would run the risk of ..

The Society of the Spectacle - Wikipedia

In his analysis of the spectacular society, Debord notes that is impoverished, with such lack of authenticity, s are affected, and there's also a degradation of knowledge, with the hindering of . Debord analyzes the use of knowledge to assuage reality: the spectacle obfuscates the past, imploding it with the future into an undifferentiated mass, a type of never-ending present; in this way the spectacle prevents individuals from realizing that the society of spectacle is only a moment in history, one that can be overturned through revolution.