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ADSR envelopes are often used to control the volume of a sound, although they can be used to control almost anything inside a modular synthesizer. For example, the same envelope could control a resonant low pass filter, making a cool sweeping and wooshing effect evolve as we play each note.

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Paige Kelly, soprano, is currently a Vocal Performance major at Sacramento State studying under the tutelage of Dr. Robin Fisher. This is her second season with Vox Musica.

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Jennifer Crawford, alto, is honored to be in her eleventh season with Vox Musica. When not singing, Jennifer can be found writing computer code, volunteering as a Master Food Preserver, herding cats, or knitting.

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Spectral Modeling Synthesis Tools - MTG - Music …

Envelopes like the one pictured here are called , so named for their four stages: and . When we put an ADSR envelope module in a synthesizer, we specify exactly what is to happen during each stage of the envelope after an "on" gate signal is received. For example, the envelope pictured above has an attack stage that lasts 250 milliseconds, where the level increases to 1. After that, it has a decay stage lasting 200 milliseconds where the level decreases to 0.7. During the sustain stage, the level stays at 0.7 for as long as the envelope generator is receiving an "on" gate signal. Sustain stages do not have a specified duration. When the gate signal changes to "off," we enter the release stage, where the level takes 200 milliseconds to drop to 0.

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Almost every commercially available synthesizer and music synthesis software package operates using these basic principles. With this knowledge and some ingenuity, you'll never have to use a horrible synth preset again.

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There are some problems with our synthesizer design—not the least of which is that because we have no way of controlling the volume of the oscillator, our instrument is always making sound! In order to fix this problem, we need to add a module called a Voltage Controlled Amplifier, or VCA. The function of a VCA is to raise or lower the volume, often called or , of a signal. Essentially, a VCA is a volume knob. Oscillators and other sound generating modules are always making sound, and VCAs are what keep the level down when you're not playing.

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Another type of module frequently used to control other modules is the , or . An LFO is just like a normal oscillator, it can have any waveform and amplitude we specify, but it has a very low, sub-audio frequency, producing a very slowly oscillating signal generally used to control other modules within a synthesizer. For example, an LFO might move the volume level of a VCA up and down, creating a tremolo effect. LFOs are like little robots that turn knobs back and forth for you.